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Remember that first kiss? That first slow dance? The first time you fell in love? How can you top that-whether good or bad, it’s usually nothing as memorable as the “first” anything. With that in mind, the sophomore album can be one of the most intimidating projects for most rap artists and understandably so -especially if your first album was a bona fide hit. With that first album you’ve been acclimated by your celebrity peers and most of all, by your fans. Now that the blood, sweat and tears from the first go round are probably non-existent at this more comfortable place in life- where’s your passion?

Well, for some reason, I don’t think lack of motivation or passion is something Kanye West tosses and turns about in his sleep at night. I mean anyone who can request a beat machine to finish working on their cd while being hospitalized with broken jaws wired shut- is just driven period! (Yes, Kanye actually worked and recorded Through the Wire from his first cd, The College Dropout with wired jaws!). His drive coupled with his confidence is sure to keep him at the top of the charts. Although with Kanye West, I’m not always sure if it’s confidence or arrogance as he did practically denounce just about any living thing who didn’t believe in his talent and greatness after his first album dropped, but moving on….

With guest appearances by Jay-Z, Jamie Foxx, Cam’ron, Common (who’s current album was produced by Kanye), The Game, Brandy and Adam Levine from Maroon 5 just to name a few, Kanye West’ second cd Late Registration (Aug. 30th release) is sure to follow it’s predecessor.

Call me a chicken head, but I don’t think a rap album holds as much validity without mentioning some of the materialistic things and people that make some smile as they eagerly rap along, while others might nod their heads in shame.
Late Registration (co-produced by Jon Brion best known for producing Fiona Apple tracks) touches on success, street life, racism, classism and let’s not forget the “hoes, cars and ice/diamonds.” Call me a chicken head, but I don’t think a rap album holds as much validity without mentioning some of the materialistic things and people that make some smile as they eagerly rap along, while others might nod their heads in shame. So the ghetto mentionables in Drive Slow on the album don’t bother me a bit. “You never know homey, might meet some hoes homey, you need to pump your breaks and drive slow homey.”
On Addiction, Mr. West talks about his weakness for girls, weed and money- and we all can relate to some type of addiction, at least the first line in the song makes you wonder if perhaps you might have one … “What’s your addiction? Is it girls, is it money, is it weed? I’ve been afflicted by not one, not two but all three.” One of the best party tracks, Touch the Sky, (in which Curtis Mayfield is musically present via the sampling of Move on Up) should undeniably be the next release after the currently released Gold Digger featuring Jamie Foxx -another great hit by the way!

Touch the Sky is the type of party song that has a beat fast enough to get up and dance, yet subtle enough to look cool and just bop your head with a drink in your hand or a bottle at your table- players holla! “I gotta testify, come up in the spot looking extra fly! ‘for the day I die I’m gonna touch the sky.”

Late Registration isn’t as fun (Breathe In, Breathe Out) or as serious(Jesus Walks) as The College Dropout, but with 21 tracks, multiple Bernie Mac skits and songs that range from talking about how good mama was (Hey Mama) to guest star Jay-Z boasting about getting off the boat so he could “walk on water,” (Diamonds From Sierra Leone) along with more maturity, without sacrificing any of his creativity, Late Registration does offer a little something, something for everyone.

 
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